FLUFFHEAD (YEAH!!!)THE MOTHERSHIP HAS LANDED.
Sunday, March 8, 2009
Wednesday, March 4, 2009
The Best of Hampton
The Hampton Coliseum, opened in 1970 will be the home of the Phish reunion in a mere 2+ days (as if you didn’t know!) Hampton, also known as ‘The Mothership’ for its multicolored exterior and similar shape to a space ship, has been a special musical venue for many years. Its non-musical events have been nothing particular to celebrate: home to an old ABA team and a mainstay on WWE tours are really the highlights. However, bands have sensed there was a special vibe to this building. Elvis played the venue twice, and The Rolling Stones played the venue in 1981, even releasing a now out of circulation DVD of the show. The Grateful Dead played there 21 times before getting banned from the venue. However, so extraordinary was this venue, that the Dead actually played two secret shows under the name ‘The Warlocks,’ in 1989, with the specific intent of fooling the local authorities into allowing them to play the venue. These Dead shows are special for many fans and even marked the bustout of Dark Star after over 350 shows.
With this sort of musical history it is no surprise our favorite foursome has a strong love for this venue. The first show was on 11/25/1995, and when Phish next played Hampton on 10/25/96, Trey stated from the stage: "Sometimes people ask me what the uh, best rooms that we play are ah, in are. This is pretty much it, for me. Just so you know to answer the question. Good sound. Everyone gets to go where they want on the floor. You can't beat it."
The band further solidified their affection for this venue when, in 1997, they played one of their highest regarded two night runs in their history on 11/21/1997 and 11/22/1997. It certainly helps they were in the midst of the best tour of their career in this fan’s opinion. The first night opened with a 17 minute version of the Rolling Stones’ Emotional Rescue (perhaps an homage to the show the Stones had played there 16 years earlier). The second night is front to back one of the phinest Phish shows ever played. It opens with a traditional Mikes’ Groove then drops into a Harry Hood, blowing the crowd’s collective mind. The Mike’s Song is amongst the best ever, plunging immediately into the deepest and darkest of rock funks, and only proceeding to drive and dig deeper for the next twelve minutes or so. The rest of the set excels as well with a couple breather songs followed by two high energy covers to close the set. The second set was preceded by an organized chant for the ever elusive (until 2/28/03 of course) Destiny Unbound. Trey made a joke about it sounding like a call for human sacrifice before dropping into perhaps the best Halley’s Comet ever played. I say that with full awareness of hyperbole, but my god is that jam good. The whole second set has an incredible continuous groove that pervades every song in the set, allowing for an incredibly fluid set that absolutely rocks and leaves the crowd wanting for nothing.
The following year Phish played two shows they themselves were so fond of, they released them in a set of live recordings better known as Hampton Comes Alive. In 1999 Phish saved their best for last in Hampton with a tour closing 12/18/99 show that may even be better than the lauded 12/11/1999 show from Philadelphia a week earlier. Both shows have a Hood opener, something that had not happened for over ten years before the 12/11 show, and then they did it twice in a week!
When Phish first got back together after their hiatus there was only one venue they could choose for a multi-night run. While the 1/2/2003, 1/3/2003, and 1/4/2003 shows are often critically maligned, they certainly had their bright spots (Contact>Tweeprise comes to mind). I also do not know a person in the venue who did not have the time of their life from the ubiquitous euphoria that came from everyone having their favorite band in the world back on stage.
So in less than 3 days, when we all are back in Southern Virginia, inside the Mothership, there is no telling what kind of show we will get. Obviously everyone will hope for more 11/22/97 than 1/2/03, but one thing that we can all be sure of, is that the euphoria of which I just spoke will be pervasive and I can only hope everyone will be having the time of their life, because I sure know I will. See everyone there! Read more
With this sort of musical history it is no surprise our favorite foursome has a strong love for this venue. The first show was on 11/25/1995, and when Phish next played Hampton on 10/25/96, Trey stated from the stage: "Sometimes people ask me what the uh, best rooms that we play are ah, in are. This is pretty much it, for me. Just so you know to answer the question. Good sound. Everyone gets to go where they want on the floor. You can't beat it."
The band further solidified their affection for this venue when, in 1997, they played one of their highest regarded two night runs in their history on 11/21/1997 and 11/22/1997. It certainly helps they were in the midst of the best tour of their career in this fan’s opinion. The first night opened with a 17 minute version of the Rolling Stones’ Emotional Rescue (perhaps an homage to the show the Stones had played there 16 years earlier). The second night is front to back one of the phinest Phish shows ever played. It opens with a traditional Mikes’ Groove then drops into a Harry Hood, blowing the crowd’s collective mind. The Mike’s Song is amongst the best ever, plunging immediately into the deepest and darkest of rock funks, and only proceeding to drive and dig deeper for the next twelve minutes or so. The rest of the set excels as well with a couple breather songs followed by two high energy covers to close the set. The second set was preceded by an organized chant for the ever elusive (until 2/28/03 of course) Destiny Unbound. Trey made a joke about it sounding like a call for human sacrifice before dropping into perhaps the best Halley’s Comet ever played. I say that with full awareness of hyperbole, but my god is that jam good. The whole second set has an incredible continuous groove that pervades every song in the set, allowing for an incredibly fluid set that absolutely rocks and leaves the crowd wanting for nothing.
The following year Phish played two shows they themselves were so fond of, they released them in a set of live recordings better known as Hampton Comes Alive. In 1999 Phish saved their best for last in Hampton with a tour closing 12/18/99 show that may even be better than the lauded 12/11/1999 show from Philadelphia a week earlier. Both shows have a Hood opener, something that had not happened for over ten years before the 12/11 show, and then they did it twice in a week!
When Phish first got back together after their hiatus there was only one venue they could choose for a multi-night run. While the 1/2/2003, 1/3/2003, and 1/4/2003 shows are often critically maligned, they certainly had their bright spots (Contact>Tweeprise comes to mind). I also do not know a person in the venue who did not have the time of their life from the ubiquitous euphoria that came from everyone having their favorite band in the world back on stage.
So in less than 3 days, when we all are back in Southern Virginia, inside the Mothership, there is no telling what kind of show we will get. Obviously everyone will hope for more 11/22/97 than 1/2/03, but one thing that we can all be sure of, is that the euphoria of which I just spoke will be pervasive and I can only hope everyone will be having the time of their life, because I sure know I will. See everyone there! Read more
Thursday, February 26, 2009
The Moment Ends...
This was the title of perhaps my favorite essay written about Phish, and it was written shortly after the band began their first 'break' in 2000. I encourage everyone to read it here. The essay spoke to me because of its poignancy and awareness of all the beautiful minutia and inside jokes that had made Phish so special. In fact when one of my fellow contributors and I roomed together in college, this essay would be read regularly in the midst of many epic Phish listening sessions and the discussion they would spur. Nostalgia is a topic that will certainly be discussed extensively on this blog, so I will just say that while the boys were away we indulged in our fair share of it with this essay.
Where I am going with this is that now that everyone's favorite foursome is returning to do what they do best, it feels as if another moment altogether is ending. The moment of waiting to hear my favorite band. Time has certainly not stood still for anyone since Phish ended their post hiatus era at Coventry, yet every musical (and many non-musical) experience since has felt shaped by my time with this band. Every time the lights have gone down at any of the hundreds of shows I have seen since Phish left, the excitement has always been slightly tempered by the knowledge that it was not my favorite band taking the stage in front of me. While I have seen many amazing, transcendent, and diverse shows since I last saw Phish, they have stood as the measuring stick by which all other music was to be judged. All conversation of musical superlatives, have been with the caveat of 'non-Phish' or 'other than Phish.' Perhaps it was simply that Phish helped to shape my personality and identity in the awkward years of adolescence, but no live musical act has been able to reach into my soul and leave an indelible mark, as this band has been able to.
After two or three years, one becomes resigned to the fact that something you loved is gone, and may never return, and you appreciate what you had. When all the rumors began to swirl of a reunion I kept my excitement at bay because I had accepted they were gone and did not want to get caught up in the fervor of something that may not happen. Then the announcement came down in October that Phish would return to Hampton. Suddenly I lit up inside and became filled with that unique childish giddiness only this band can create. A new found positivity came into my life (not at all hurt by the first sports championship of my life, Ladies and Gentlemen, your 2008 World Series Champion Philadelphia Phillies!). While I fretted about tickets in the lottery, it was not with the same stress I had experienced in past lotteries, I was just happy the boys were back. Finally the email came telling me I had been awarded two tickets to each night. I am proud to admit I screamed out like a child and immediately called my brother to tell him we would be in attendance when our favorite band played music in public again for the first time in 5 years.
In a mere 8 days, the lights will go down once more and my favorite band will take the stage. The moment will finally have ended and I will again feel that indescribable mix of anticipation and excitement that has yet to be matched, once more. Phish is back everyone, go crazy! Read more
Where I am going with this is that now that everyone's favorite foursome is returning to do what they do best, it feels as if another moment altogether is ending. The moment of waiting to hear my favorite band. Time has certainly not stood still for anyone since Phish ended their post hiatus era at Coventry, yet every musical (and many non-musical) experience since has felt shaped by my time with this band. Every time the lights have gone down at any of the hundreds of shows I have seen since Phish left, the excitement has always been slightly tempered by the knowledge that it was not my favorite band taking the stage in front of me. While I have seen many amazing, transcendent, and diverse shows since I last saw Phish, they have stood as the measuring stick by which all other music was to be judged. All conversation of musical superlatives, have been with the caveat of 'non-Phish' or 'other than Phish.' Perhaps it was simply that Phish helped to shape my personality and identity in the awkward years of adolescence, but no live musical act has been able to reach into my soul and leave an indelible mark, as this band has been able to.
After two or three years, one becomes resigned to the fact that something you loved is gone, and may never return, and you appreciate what you had. When all the rumors began to swirl of a reunion I kept my excitement at bay because I had accepted they were gone and did not want to get caught up in the fervor of something that may not happen. Then the announcement came down in October that Phish would return to Hampton. Suddenly I lit up inside and became filled with that unique childish giddiness only this band can create. A new found positivity came into my life (not at all hurt by the first sports championship of my life, Ladies and Gentlemen, your 2008 World Series Champion Philadelphia Phillies!). While I fretted about tickets in the lottery, it was not with the same stress I had experienced in past lotteries, I was just happy the boys were back. Finally the email came telling me I had been awarded two tickets to each night. I am proud to admit I screamed out like a child and immediately called my brother to tell him we would be in attendance when our favorite band played music in public again for the first time in 5 years.
In a mere 8 days, the lights will go down once more and my favorite band will take the stage. The moment will finally have ended and I will again feel that indescribable mix of anticipation and excitement that has yet to be matched, once more. Phish is back everyone, go crazy! Read more
Tuesday, February 24, 2009
Hampton Opener: What Will It Be???
Less than 2 Weeks to go. 10 Unbearably long days to wait. The anticipation reaching alarming levels making it hard to focus on anything else. Yes folks, in 10 days the light will dim and our favorite band will finally take the stage together for the first time in close to 5 years. HALF A FREAKING DECADE!!! In the time since the boys have last played not only have we broken the mold by electing a President that has helped to change the fabric of society in America, but perhaps just as surprising, a Philadelphia Sports team finally won a Championship. But now let us focus on the real important stuff, The Phish from Vermont! With the boys now officially back and the show a mere fortnight away, it is time to focus on what Phish will do when they take the stage on the evening of March 6th. It’s the question everyone is asking, “What will they open with”? I am glad to say that I know what they will open with…Interested? Let’s break it down…
The Favorites
Punch You in the Eye: The best opener Phish has. Period. There is nothing that gets your energy pumping like hearing Trey’s scratching and knowing they are about to jump into a rockin’ PYITE. This would also be a good choice for Opener because it has a solid intro that will allow the crowd ample time to scream and cheer before blowing the roof off with the “Hey” part of the song. I doubt there would be a single Phan in the Arena who wouldn’t be happy with this as the Opener.
Chalkdust: I kept calling this to be the Opener at MSG (I mean who the hell saw a Piper coming?!?!) in 2002 but, alas, I was one show off. Still, this is a classic opener that simply rocks. It will also allow the band to settle their nerves with an old standard. Add in the fact that Trey has said this is his favorite song to play live and a Chalkdust Opnener seems like a solid bet.
Wilson: Ba Dum Ba Dum…Wiiiillllsssooon. Can’t you just hear it now? This is another classic opener that the boys could play in their sleep. And the Wilson chant will help to settle down the cheering that otherwise has the potential to drown out the entire first song. A definite possibility.
Runaway Jim: This has opened more Phish shows than anything….ever. It would not be the least bit surprising to see it increase it’s lead by 1.
Golgi Apparatus: I saw you with the ridiculously expensive ticket stub in your hand. Not me of course; because I hit the lottery!!! But for many this is the sad reality. Back in 2002, this was the chic pick for Opener because people paid an arm and a leg to get into MSG…and now in 2009 history repeats itself. Will they go with the lyrical nod to the ticket fiasco this time around?
DWD: Close your eyes and imagine with me for moment…The house goes completely dark. We know the boys are walking on stage but we can’t see anything. After about a minute we hear that thick, deep feedback surrounding the entire venue and everyone in the crowd knows they are about to lose their minds. After what seems like forever, a huge spotlight shines on our old friend Gordo…and the crowd loses it’s mind. I won’t lie I was very tempted to call Down with Disease as my Opener prediction…but I didn’t. The reason I didn’t is because it’s one of the favorites to be played, and Phish NEVER goes with the likely choice. Which leads us to…
The Rockers (A.K.A. songs that will cause such a pop that the structural integrity of the Hampton Coliseum with be tested)
Tweezer: If they open with Tweeezer I won’t know what to do with myself. It would be a perfect way to say, “I know we’ve been gone for a while, but guess what? WE ARE BACK!”. Plus the composed part of the song is just long enough to allow the crowd to come down from the state of total craziness we will be in after seeing the band of all bands all on stage together for the first time in 5 years…Thus allowing us to settle in for that dark funk we all know and love.
Mike’s Song: The opening notes to Mike’s are about as recognizable as any song the boys play. Starting the show off with a Mike’s, and knowing that a Weekapaugh is not far away, would really show the crowd that they mean business.
First Tube: Composed. Not much room for error. Totally Rockin’.
Tube: Can you imagine if Phish took the stage and “an asteroid crashed”?!? If there were ever a situation where the Mothership was to simply lift up off the ground and take off into space, this is it. Please open with Tube…PLEASE!!! However, as unfortunate as it is, I don’t think Phish will open with a Rocker either. I just think that they would worry that the Coliseum might crumble to the ground. So maybe they will open with one of the…
Appropriate Covers
Foreplay/Longtime: It’s been such a long time. It really has.
The Boys are Back in Town: Oh hell yeah they are! Yet, as appropriate as either of these songs would be, I just don’t see the boys opening with a Cover. Yet could I be onto something with the appropriate lyrics…
Lyrics
Get Back on the Train: In Hampton the boys will figuratively be getting back on the train. Is that enough to make them open with this laid back and happy tune that always has the potential to turn into a sweet and funky Jam (see 2/28/03)? My guess is no. So maybe they will go with…
The Old Classics
Buried Alive: This kickass instrumental jam has opened many a show over the years. And with it’s upbeat and jazzy tone, it would definitely help to show that the boys are much alive and buried no more.
My Friend My Friend: A statement from their former life perhaps? No complaints here. However, I just don’t see it being an older classic opener to start the new era of Phish. Which leads me to believe it may be…
A New Song
Insert Title Here: What better way for Phish to signal the beginning of the new era than with a totally new, never played before live song? This would definitively make the statement that the boys are embarking on a whole new adventure. However, this will not happen; because though this is a new adventure, they are still Phish and they know nothing would drain the excitement out of the room like busting into a song no one recognizes. Instead, maybe the boys will take it in a completely different direction and go with…
The Dream Openers
Harpua: What do you think would happen if Phish took the stage and went right into “oom pa pa, oom pa pa, oom pa paaaaaaaaaaa”?!?! I think it would almost be too much for me to handle. Not only would the Hampton Coliseum instantly become the single loudest place on the planet, but Trey would afforded a nice opportunity to wax poetic about how happy he is that they got the band back together and how grateful he is to be back in front of all of us loyal phollowers, etc. etc. It would be an amazing moment and one none of us (the band included) would ever forget.
Destiny Unbound: The most famous Destiny chant was (where else?) at Hampton in ’97. It was so loud that it even got Trey to comment on it but not to play it. Instead, they decided to play it for the first time in 12 years at a random show in Nassau (see 2/28/03 again). Maybe they will bust it out again here as an homage to the ’97 chant. But probably not. It is far more likely that the band would rather atone for other sins…
The Apology
Curtain With: The last time we all saw Phish was in a mud soaked field in the middle of nowhere Vermont. The last song they played was a BUTCHERED version of this beautiful jam. It would not surprise me at all if Phish decided to open with this and nail it this time…which would definitely signal their return as well as their realization that they did not leave on the best of terms. But again, I jut don’t see it. If they really want say “we’re back and we mean business” they will open with…
The Epics
YEM: If Phish has a masterpiece, this is it. This would be the perfect song to show that they are still “the Phish” and that they came to play. Trey even said he would give his left nut to play YEM 5 times in a row every day for the rest of his life…and I, for one, would be more than happy to take him up on that offer (minus the whole testicle thing of course).
Run Like an Antelope: This would be brilliant. It’s opening is composed and the boys could play it in their sleep. It would give the crowd and the band time to settle in before the jam section which would consistently and methodically raise the energy level to near epic proportions all leading up to one of the greatest lyrics Phish has, “Set the gear shift for the high gear of your soul”! If this happens we will all most definitely be running like an antelope, OUT OF CONTROL!!!
Fluffhead: Since the last time I heard this amazing piece of music live (Vegas 2000 1St night), I have said that if they bust it out again, I will drop to my knees and thank God. All I can say is, please let me drop to my knees in Hampton! Wait, I don’t think that came out right…but seriously, please open with Fluffhead. Yet as much as I would love to hear the Fluffhead that Mike said no to, I think it is far more likely they will open with…
The Dark Horse
AC/DC Bag: This would be a perfect opener. The crowd would lose it. It would be a nod to all the real phans out there (I mean who doesn’t love a Bag?!) and a nice nod to Gamehenge as well. I would also add in the caveat, that it is possible they technically open with Oh Kee Pah and that goes into Bag. But one way or the other, I could absolutely see Bag opening the first show in 5 years. But, there is one song I could see even more clearly…
My Pick
Harry Hood: WTF!!! I have to believe that anyone reading this article is saying “I just read this entire list for this idiot to tell me they are going to open with a song that they NEVER open with”!?! Allow me to explain; you can count on one hand the number of shows that Hood has opened, but on that hand you would have to include a show at Hampton (12/18/99) and the 20th Anniversary Show in Boston. So they have done it in Hampton before, and in the show they celebrated their 20 years of being together, Hood was the song they chose to play first. Also, can you think of a better, more recognizable, way to welcome us back than with Fish’s opening drum beats on this classic tune?! Me neither. So I say, why not Hood? The key thing to remember is that Phish has 100’s and 100’s of songs in their canon and one of the things we all love most is how unpredictable they can be, so no matter whether it’s a favorite, a New Song, an Epic, a Dream, a Hood, or something else entirely, I think I speak for all of us Phans out there when I say to the boys, whatever you play…we are just glad to have you back!!! Now I’d like to hear what you, loyal readers, have to say. Do you think I am crazy? Do you think you know beyond a shadow of a doubt what they will open with? Please sound off in the comments section and let me know what you think…that way, if you are right, it will be documented and you can prove to anyone and everyone just how smart you are…and who wouldn’t want that??? Read more
The Favorites
Punch You in the Eye: The best opener Phish has. Period. There is nothing that gets your energy pumping like hearing Trey’s scratching and knowing they are about to jump into a rockin’ PYITE. This would also be a good choice for Opener because it has a solid intro that will allow the crowd ample time to scream and cheer before blowing the roof off with the “Hey” part of the song. I doubt there would be a single Phan in the Arena who wouldn’t be happy with this as the Opener.
Chalkdust: I kept calling this to be the Opener at MSG (I mean who the hell saw a Piper coming?!?!) in 2002 but, alas, I was one show off. Still, this is a classic opener that simply rocks. It will also allow the band to settle their nerves with an old standard. Add in the fact that Trey has said this is his favorite song to play live and a Chalkdust Opnener seems like a solid bet.
Wilson: Ba Dum Ba Dum…Wiiiillllsssooon. Can’t you just hear it now? This is another classic opener that the boys could play in their sleep. And the Wilson chant will help to settle down the cheering that otherwise has the potential to drown out the entire first song. A definite possibility.
Runaway Jim: This has opened more Phish shows than anything….ever. It would not be the least bit surprising to see it increase it’s lead by 1.
Golgi Apparatus: I saw you with the ridiculously expensive ticket stub in your hand. Not me of course; because I hit the lottery!!! But for many this is the sad reality. Back in 2002, this was the chic pick for Opener because people paid an arm and a leg to get into MSG…and now in 2009 history repeats itself. Will they go with the lyrical nod to the ticket fiasco this time around?
DWD: Close your eyes and imagine with me for moment…The house goes completely dark. We know the boys are walking on stage but we can’t see anything. After about a minute we hear that thick, deep feedback surrounding the entire venue and everyone in the crowd knows they are about to lose their minds. After what seems like forever, a huge spotlight shines on our old friend Gordo…and the crowd loses it’s mind. I won’t lie I was very tempted to call Down with Disease as my Opener prediction…but I didn’t. The reason I didn’t is because it’s one of the favorites to be played, and Phish NEVER goes with the likely choice. Which leads us to…
The Rockers (A.K.A. songs that will cause such a pop that the structural integrity of the Hampton Coliseum with be tested)
Tweezer: If they open with Tweeezer I won’t know what to do with myself. It would be a perfect way to say, “I know we’ve been gone for a while, but guess what? WE ARE BACK!”. Plus the composed part of the song is just long enough to allow the crowd to come down from the state of total craziness we will be in after seeing the band of all bands all on stage together for the first time in 5 years…Thus allowing us to settle in for that dark funk we all know and love.
Mike’s Song: The opening notes to Mike’s are about as recognizable as any song the boys play. Starting the show off with a Mike’s, and knowing that a Weekapaugh is not far away, would really show the crowd that they mean business.
First Tube: Composed. Not much room for error. Totally Rockin’.
Tube: Can you imagine if Phish took the stage and “an asteroid crashed”?!? If there were ever a situation where the Mothership was to simply lift up off the ground and take off into space, this is it. Please open with Tube…PLEASE!!! However, as unfortunate as it is, I don’t think Phish will open with a Rocker either. I just think that they would worry that the Coliseum might crumble to the ground. So maybe they will open with one of the…
Appropriate Covers
Foreplay/Longtime: It’s been such a long time. It really has.
The Boys are Back in Town: Oh hell yeah they are! Yet, as appropriate as either of these songs would be, I just don’t see the boys opening with a Cover. Yet could I be onto something with the appropriate lyrics…
Lyrics
Get Back on the Train: In Hampton the boys will figuratively be getting back on the train. Is that enough to make them open with this laid back and happy tune that always has the potential to turn into a sweet and funky Jam (see 2/28/03)? My guess is no. So maybe they will go with…
The Old Classics
Buried Alive: This kickass instrumental jam has opened many a show over the years. And with it’s upbeat and jazzy tone, it would definitely help to show that the boys are much alive and buried no more.
My Friend My Friend: A statement from their former life perhaps? No complaints here. However, I just don’t see it being an older classic opener to start the new era of Phish. Which leads me to believe it may be…
A New Song
Insert Title Here: What better way for Phish to signal the beginning of the new era than with a totally new, never played before live song? This would definitively make the statement that the boys are embarking on a whole new adventure. However, this will not happen; because though this is a new adventure, they are still Phish and they know nothing would drain the excitement out of the room like busting into a song no one recognizes. Instead, maybe the boys will take it in a completely different direction and go with…
The Dream Openers
Harpua: What do you think would happen if Phish took the stage and went right into “oom pa pa, oom pa pa, oom pa paaaaaaaaaaa”?!?! I think it would almost be too much for me to handle. Not only would the Hampton Coliseum instantly become the single loudest place on the planet, but Trey would afforded a nice opportunity to wax poetic about how happy he is that they got the band back together and how grateful he is to be back in front of all of us loyal phollowers, etc. etc. It would be an amazing moment and one none of us (the band included) would ever forget.
Destiny Unbound: The most famous Destiny chant was (where else?) at Hampton in ’97. It was so loud that it even got Trey to comment on it but not to play it. Instead, they decided to play it for the first time in 12 years at a random show in Nassau (see 2/28/03 again). Maybe they will bust it out again here as an homage to the ’97 chant. But probably not. It is far more likely that the band would rather atone for other sins…
The Apology
Curtain With: The last time we all saw Phish was in a mud soaked field in the middle of nowhere Vermont. The last song they played was a BUTCHERED version of this beautiful jam. It would not surprise me at all if Phish decided to open with this and nail it this time…which would definitely signal their return as well as their realization that they did not leave on the best of terms. But again, I jut don’t see it. If they really want say “we’re back and we mean business” they will open with…
The Epics
YEM: If Phish has a masterpiece, this is it. This would be the perfect song to show that they are still “the Phish” and that they came to play. Trey even said he would give his left nut to play YEM 5 times in a row every day for the rest of his life…and I, for one, would be more than happy to take him up on that offer (minus the whole testicle thing of course).
Run Like an Antelope: This would be brilliant. It’s opening is composed and the boys could play it in their sleep. It would give the crowd and the band time to settle in before the jam section which would consistently and methodically raise the energy level to near epic proportions all leading up to one of the greatest lyrics Phish has, “Set the gear shift for the high gear of your soul”! If this happens we will all most definitely be running like an antelope, OUT OF CONTROL!!!
Fluffhead: Since the last time I heard this amazing piece of music live (Vegas 2000 1St night), I have said that if they bust it out again, I will drop to my knees and thank God. All I can say is, please let me drop to my knees in Hampton! Wait, I don’t think that came out right…but seriously, please open with Fluffhead. Yet as much as I would love to hear the Fluffhead that Mike said no to, I think it is far more likely they will open with…
The Dark Horse
AC/DC Bag: This would be a perfect opener. The crowd would lose it. It would be a nod to all the real phans out there (I mean who doesn’t love a Bag?!) and a nice nod to Gamehenge as well. I would also add in the caveat, that it is possible they technically open with Oh Kee Pah and that goes into Bag. But one way or the other, I could absolutely see Bag opening the first show in 5 years. But, there is one song I could see even more clearly…
My Pick
Harry Hood: WTF!!! I have to believe that anyone reading this article is saying “I just read this entire list for this idiot to tell me they are going to open with a song that they NEVER open with”!?! Allow me to explain; you can count on one hand the number of shows that Hood has opened, but on that hand you would have to include a show at Hampton (12/18/99) and the 20th Anniversary Show in Boston. So they have done it in Hampton before, and in the show they celebrated their 20 years of being together, Hood was the song they chose to play first. Also, can you think of a better, more recognizable, way to welcome us back than with Fish’s opening drum beats on this classic tune?! Me neither. So I say, why not Hood? The key thing to remember is that Phish has 100’s and 100’s of songs in their canon and one of the things we all love most is how unpredictable they can be, so no matter whether it’s a favorite, a New Song, an Epic, a Dream, a Hood, or something else entirely, I think I speak for all of us Phans out there when I say to the boys, whatever you play…we are just glad to have you back!!! Now I’d like to hear what you, loyal readers, have to say. Do you think I am crazy? Do you think you know beyond a shadow of a doubt what they will open with? Please sound off in the comments section and let me know what you think…that way, if you are right, it will be documented and you can prove to anyone and everyone just how smart you are…and who wouldn’t want that??? Read more
Saturday, February 21, 2009
Heffner's Gotta Jibboo
Clearly, we're not the only ones who think Mike's bass during the Hampton '98 Free is wet and sexy. Maybe they're planning something new for the trampolines during YEM...
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Thursday, February 19, 2009
Top Phish Covers
I will today discuss covers by the greatest cover band ever (String Cheese of course being a distant second). I will break the covers into categories for your reading pleasure (one quick note; I am not including Dude of Life Covers because I don't think they really count...they are Phish songs...and I am not including TAB songs because those too I consider Phish songs)...so without further ado:
1. The Old Standards (i.e. Songs that you wouldn't be a moron if you didn't know they weren't Phish originals):
2001: this is as good as it gets. What a freaking amazingly awesome song. I just plain love it. It is the definition of Space Funk. Totally awesome. I was a little unsure if I should put it in this category, because it is such a recognizable song, but I did so because the version they are covering is way less recognizable...and if I didn't know better I would have just assumed it was their own jam with the Space Odyssey music inserted throughout. Either way...pure awesomeness. Best Version I know of: MSG 12/29/1998 with the Crosseyed teases is neck and neck with the Cypress version with the Hood intro tease. Personally I am partial to the Cypress version (especially considering it was played at the end of a close to 8 hour set), but they are both great.
Yamar: to be honest I am not 100% sure who this is by; I wanna say Robert Palmer, but I am not super confident about it at all. Either way, it is a great song that always makes you feel happy. Best Version I know of: Deer Creek 2000 to open the Moby Dick Show.
Funky Bitch: unfortunately not everyone is cool (jokes) enough (or old enough as the case may be) to have been at Oswego, so I wouldn't be disappointed if they didn't know this was actually a Son Seals classic. Best Version I know of: Santana in '92 (was there really any other option?).
Sneakin' Sally: speaking of Robert Palmer...you really cannot beat this for a funky cover. If I didn't know it was a cover I would absolutely have bet on this being an original...I mean, cmon, how close an opening is this to AC/DC?!? Maybe Trey had this song in mind when he wrote the opening to Bag...probably not though...still damn close. Best Version I know of: probably 12/30/97 at the Garden just cause of how long it had been since they played it, but I am partial to the FUNKIEST version I know of, which is Oswego of course...definitely the best intro ever for a Sneakin' (or maybe anything else for that matter).
Loving Cup: granted of all the songs in this section, this is the one with the most famous original author, but as great as the Stones version is, this is a Phish song now...it just is. And is there a better encore in their repertoire not named YEM or Hood?!? I say no. Hearing those opening notes when they come out for the encore is as amazing a feeling as hearing the opening notes to Character Schmero is a horrible feeling (apologies to all the Zero fans out there). Best Version I know of: not sure because versions are usually pretty similar, but I can say that my favorite is when they encored 1st night Miami with it...because I was calling for it the entire freaking show and for some reason on that night, it was all I wanted and thankfully the boys obliged! Another great version is 4/3/98 from the Island Tour...simply rockin'.
Cities: as famous as the Talking Heads are, I'll bet you 95% of Phans couldn't tell you that this David Byrne classic is not an original Phish Jam. And who doesn't want to find themselves a city they can live in?! Best Version I know of: Lemonwheel
Roses are Free: Ween? Who the f--* is Ween?! At least that's what most people would say. This is one the boys should bust out more than they do. Best Version I know of: the epic 35 minute version from Cypress is classic, but it doesn't get better than the aforementioned 4/3/98 version.
Frankenstein: this song will get anyone and everyone up out of their seats...at least it should. This is also one of those rarities that has become a Phish song even though they are completely and totally true to the original. Best Version I know of: Fran-Kung-Stein from the 20th Anniversary show.
Timber Ho!: I know I knew who this was by at one time (Jerry something maybe? Haha.) but not anymore. Perfect example for this section. It is a song most people probably don't know is not a Phish tune. And what a Kick Ass tune it is. And this is always a serious bust out when they play it. Best Version I know of: Live in Vegas
Manteca: another song who's author I am unsure of. Dizzy Gillespie maybe. Either way, this is a Phish song now...but unfortunately, it is probably the rarest song in this group. Maybe/hopefully that will change. It probably deserves to be in another group but I am too lazy to change it. Best Version I know of: the Live Phish version from 10/30/98 (Stash>Manteca).
Rocky Top: this is the only Bluegrass tune that will be on this list. Let it represent all the others. And it seems to be a big deal to them cause they usually encore with it...and for anyone not from Tennessee, it could definitely be perceived as an original. Best Version I know of: Merriweather 2000 cause it's the only one I ever saw live.
When the Circus Comes: had to have 1 slow song on here and this is as good as they get. I have no idea who the original is by, but it is definitely one of the only slow songs I don't mind hearing live...especially when it is placed in the right spot during a set. Best Version I know of: Philly in the Hood Opener show in '99...perfect placement in the set after the Hood Opener and the sweet Mike's Groove that followed.
Walk Away: this James Gang classic is now a Phish classic. Hopefully they bring it back in the new days. Just a great great rockin' song. This probably should be in another group also, but again, too lazy. Best Version I know of: Holmdel 2000 for sure!
The Grateful Dead Division (i.e. Songs that are distinctly covers but have become legitimate members of Phish's repotoire/playlists:
Boogie On Reggae Woman: this Stevie Classic has become a definite play on tour. A minimum of one and sometimes more will be heard. And that's a good thing because it gives Gordo a chance to "play the funk slow" and I am all for that. Best Version I know of: that post hiatus one from Alpine. I don't remember the date off the top of my head... But it has the funkiest base intro I've heard on a Boogie On.
Rock N' Roll: I feel lucky cause this is a song that follows me. I have heard probably more than 60% of the versions they have ever played live. Seriously though, Phish covers don't get any better than this gem. It's the kind of song that can make a set. Plus, they have really experimented with it over the years taking it from a standard 5-7 minute cover to a 10-15 minute jam piece. I cannot get enough of it...and luckily they seem to only play it when I'm in attendance, so I am not complaining. It has definitely become a serious bust out when they play it once or (at most) twice a tour. Best Version I know of: probably the epic Cypress version, however the coolest for me was at that Creek show that I drove out to the on a whim the night before and surprised the Lynde family by just showing up...really awesome stuff.
While My Guitar Gently Weeps: can't beat it when Phish plays a song by the other greatest band ever. Trey is one of the few people who can play a George tune and it is not sacreligious. Best Version I know of: Camden '99 cause it was my first and probably still most memorable.
Crosseyed and Painless: oh yeah. Definitely a cover that they have made their own. Some of the most improvisational and rocking jamming Phish does is on this kickass Heads song. Plus it is really more of a rarity than the others in this section and thus a real bust out whenever they do...bust it out. Best Version I know of: that '96 version in Florida (Lakeland maybe) that is 30+ mins long...the "we're still waaaaaaiiiiitinnnnngggg version.
Drowned: another of those songs that they decided to keep around after playing it on Halloween. This also has the possibility of turning into an epic 30 minute jam. But whether it's 7 mins or 30 mins, it always is a highlight of the show...and Mike sings it beautifully. Best Version I know of: Deer Creek 2000...1st set highlight of the Moby Dick show.
Good Time Bad Times: another one that is as good an encore as you could hope for. What a rockin' song. Always brings the house down. And it even has it's own setlist notation (GTBT) meaning it is definitely part of the repertoire. Best Version I know of: encore July 4th in Camden.
Mellow Mood: a post hiatus addition that became part of the repertoire. This song ALWAYS makes me happy. Best Version I know of: Vegas 2000 1st night.
The Eric Bruntlett Division (Rarely Played but Always Awesome):
Peaches En Regalia: this GORGEOUS Zappa tune used to be a pretty standard cover, but unfortunately has not been played in a while (I've never heard it:-(!) I am just hoping they bring it back into the Phold. Best Version I know of: not sure of one that stands out...I am taking recommendations.
Jesus Just Left Chicago: I was happy to see them bust one of these out Post Hiatus. This was one of those songs like Peaches that I was unsure if they were going to play again or not...luckily they did (even though I have still not heard one either...though I should have heard it at the '99 VA Beach show I had a ticket for but had to skip because of a school Interview...damn you troubled childhood!). Still, now that they're back, hopefully I will finally get a chance to hear a Jesus. Best Version I know of: that VA Beach one just to be bitter.
Fire: this Jimi Jam was actually played post hiatus, so I have high hopes for it staying around. No matter what it's rockin' and fun. Best Version I know of: not sure...suggestions?
Quinn the Eskimo: not sure if they played it post hiatus, but I hope they play it post reunion. This is another song that always makes me happy. Best Version I know of: the one in that epic 3rd set at Oswego.
Emotional Rescue: hearing Mike sing the high part of this song is legendary. It is very rarely played, but always always welcome. Best Version I know of: Vegas 2000 because it was the encore to the best show I ever saw. Hampton opener in '97 I think is a close second.
A Day in the Life: one of the best songs ever. There really is not much more to say. Plus, it is such a great set closer cause they just let that last note keep going just like on Sgt. Peppers. Best Version I know of: Live in Vegas...again, only time I ever heard it and again, best show I ever saw.
Bold as Love: another brilliant Jimi tune that allows Page to show off his beautiful voice. Great encore. Best Version I know of: that Raleigh 2000 summer show I went to.
Highway to Hell: guaranteed to rock. Again not sure if they played it post hiatus, but it used to be pretty regular. I hope it becomes so again. Best Version I know of: not sure...suggestions?
Been Caught Stealing: another one guaranteed to bring the house down. I really hope they bring this one back. Best Version I know of: 12/28/98 encore is the only one that comes to mind.
Freebird: man it is so cool when they do this. Another one I would just love to hear live. Best Version I know of: 12/29/98 encore.
The Once in a Lifetime Division (One Timers-with the only exceptions being songs that were played at a Halloween show and then only one more time ever)...I will only list songs in this section because there are way too many to even list here so I am just going to mention the top ones that come to mind immediately:
Psycho Killer
Sweet Jane
Tuesday's Gone
After Midnight
We're Not Gonna Take It
Smells Like Teen Spirit
You know what...there are way too many to get into all the one timers...let me know in the comments section if any others really stand out to you loyal readers. Anyway, I know I missed some solid covers, but this was the best I could do off the top of my head. Feel free to post thoughts and reactions in the comments section cause I would love to see what all of you out there in the blogosphere think. I hope you enjoyed the reading and keep sharing in the groove. Read more
1. The Old Standards (i.e. Songs that you wouldn't be a moron if you didn't know they weren't Phish originals):
2001: this is as good as it gets. What a freaking amazingly awesome song. I just plain love it. It is the definition of Space Funk. Totally awesome. I was a little unsure if I should put it in this category, because it is such a recognizable song, but I did so because the version they are covering is way less recognizable...and if I didn't know better I would have just assumed it was their own jam with the Space Odyssey music inserted throughout. Either way...pure awesomeness. Best Version I know of: MSG 12/29/1998 with the Crosseyed teases is neck and neck with the Cypress version with the Hood intro tease. Personally I am partial to the Cypress version (especially considering it was played at the end of a close to 8 hour set), but they are both great.
Yamar: to be honest I am not 100% sure who this is by; I wanna say Robert Palmer, but I am not super confident about it at all. Either way, it is a great song that always makes you feel happy. Best Version I know of: Deer Creek 2000 to open the Moby Dick Show.
Funky Bitch: unfortunately not everyone is cool (jokes) enough (or old enough as the case may be) to have been at Oswego, so I wouldn't be disappointed if they didn't know this was actually a Son Seals classic. Best Version I know of: Santana in '92 (was there really any other option?).
Sneakin' Sally: speaking of Robert Palmer...you really cannot beat this for a funky cover. If I didn't know it was a cover I would absolutely have bet on this being an original...I mean, cmon, how close an opening is this to AC/DC?!? Maybe Trey had this song in mind when he wrote the opening to Bag...probably not though...still damn close. Best Version I know of: probably 12/30/97 at the Garden just cause of how long it had been since they played it, but I am partial to the FUNKIEST version I know of, which is Oswego of course...definitely the best intro ever for a Sneakin' (or maybe anything else for that matter).
Loving Cup: granted of all the songs in this section, this is the one with the most famous original author, but as great as the Stones version is, this is a Phish song now...it just is. And is there a better encore in their repertoire not named YEM or Hood?!? I say no. Hearing those opening notes when they come out for the encore is as amazing a feeling as hearing the opening notes to Character Schmero is a horrible feeling (apologies to all the Zero fans out there). Best Version I know of: not sure because versions are usually pretty similar, but I can say that my favorite is when they encored 1st night Miami with it...because I was calling for it the entire freaking show and for some reason on that night, it was all I wanted and thankfully the boys obliged! Another great version is 4/3/98 from the Island Tour...simply rockin'.
Cities: as famous as the Talking Heads are, I'll bet you 95% of Phans couldn't tell you that this David Byrne classic is not an original Phish Jam. And who doesn't want to find themselves a city they can live in?! Best Version I know of: Lemonwheel
Roses are Free: Ween? Who the f--* is Ween?! At least that's what most people would say. This is one the boys should bust out more than they do. Best Version I know of: the epic 35 minute version from Cypress is classic, but it doesn't get better than the aforementioned 4/3/98 version.
Frankenstein: this song will get anyone and everyone up out of their seats...at least it should. This is also one of those rarities that has become a Phish song even though they are completely and totally true to the original. Best Version I know of: Fran-Kung-Stein from the 20th Anniversary show.
Timber Ho!: I know I knew who this was by at one time (Jerry something maybe? Haha.) but not anymore. Perfect example for this section. It is a song most people probably don't know is not a Phish tune. And what a Kick Ass tune it is. And this is always a serious bust out when they play it. Best Version I know of: Live in Vegas
Manteca: another song who's author I am unsure of. Dizzy Gillespie maybe. Either way, this is a Phish song now...but unfortunately, it is probably the rarest song in this group. Maybe/hopefully that will change. It probably deserves to be in another group but I am too lazy to change it. Best Version I know of: the Live Phish version from 10/30/98 (Stash>Manteca).
Rocky Top: this is the only Bluegrass tune that will be on this list. Let it represent all the others. And it seems to be a big deal to them cause they usually encore with it...and for anyone not from Tennessee, it could definitely be perceived as an original. Best Version I know of: Merriweather 2000 cause it's the only one I ever saw live.
When the Circus Comes: had to have 1 slow song on here and this is as good as they get. I have no idea who the original is by, but it is definitely one of the only slow songs I don't mind hearing live...especially when it is placed in the right spot during a set. Best Version I know of: Philly in the Hood Opener show in '99...perfect placement in the set after the Hood Opener and the sweet Mike's Groove that followed.
Walk Away: this James Gang classic is now a Phish classic. Hopefully they bring it back in the new days. Just a great great rockin' song. This probably should be in another group also, but again, too lazy. Best Version I know of: Holmdel 2000 for sure!
The Grateful Dead Division (i.e. Songs that are distinctly covers but have become legitimate members of Phish's repotoire/playlists:
Boogie On Reggae Woman: this Stevie Classic has become a definite play on tour. A minimum of one and sometimes more will be heard. And that's a good thing because it gives Gordo a chance to "play the funk slow" and I am all for that. Best Version I know of: that post hiatus one from Alpine. I don't remember the date off the top of my head... But it has the funkiest base intro I've heard on a Boogie On.
Rock N' Roll: I feel lucky cause this is a song that follows me. I have heard probably more than 60% of the versions they have ever played live. Seriously though, Phish covers don't get any better than this gem. It's the kind of song that can make a set. Plus, they have really experimented with it over the years taking it from a standard 5-7 minute cover to a 10-15 minute jam piece. I cannot get enough of it...and luckily they seem to only play it when I'm in attendance, so I am not complaining. It has definitely become a serious bust out when they play it once or (at most) twice a tour. Best Version I know of: probably the epic Cypress version, however the coolest for me was at that Creek show that I drove out to the on a whim the night before and surprised the Lynde family by just showing up...really awesome stuff.
While My Guitar Gently Weeps: can't beat it when Phish plays a song by the other greatest band ever. Trey is one of the few people who can play a George tune and it is not sacreligious. Best Version I know of: Camden '99 cause it was my first and probably still most memorable.
Crosseyed and Painless: oh yeah. Definitely a cover that they have made their own. Some of the most improvisational and rocking jamming Phish does is on this kickass Heads song. Plus it is really more of a rarity than the others in this section and thus a real bust out whenever they do...bust it out. Best Version I know of: that '96 version in Florida (Lakeland maybe) that is 30+ mins long...the "we're still waaaaaaiiiiitinnnnngggg version.
Drowned: another of those songs that they decided to keep around after playing it on Halloween. This also has the possibility of turning into an epic 30 minute jam. But whether it's 7 mins or 30 mins, it always is a highlight of the show...and Mike sings it beautifully. Best Version I know of: Deer Creek 2000...1st set highlight of the Moby Dick show.
Good Time Bad Times: another one that is as good an encore as you could hope for. What a rockin' song. Always brings the house down. And it even has it's own setlist notation (GTBT) meaning it is definitely part of the repertoire. Best Version I know of: encore July 4th in Camden.
Mellow Mood: a post hiatus addition that became part of the repertoire. This song ALWAYS makes me happy. Best Version I know of: Vegas 2000 1st night.
The Eric Bruntlett Division (Rarely Played but Always Awesome):
Peaches En Regalia: this GORGEOUS Zappa tune used to be a pretty standard cover, but unfortunately has not been played in a while (I've never heard it:-(!) I am just hoping they bring it back into the Phold. Best Version I know of: not sure of one that stands out...I am taking recommendations.
Jesus Just Left Chicago: I was happy to see them bust one of these out Post Hiatus. This was one of those songs like Peaches that I was unsure if they were going to play again or not...luckily they did (even though I have still not heard one either...though I should have heard it at the '99 VA Beach show I had a ticket for but had to skip because of a school Interview...damn you troubled childhood!). Still, now that they're back, hopefully I will finally get a chance to hear a Jesus. Best Version I know of: that VA Beach one just to be bitter.
Fire: this Jimi Jam was actually played post hiatus, so I have high hopes for it staying around. No matter what it's rockin' and fun. Best Version I know of: not sure...suggestions?
Quinn the Eskimo: not sure if they played it post hiatus, but I hope they play it post reunion. This is another song that always makes me happy. Best Version I know of: the one in that epic 3rd set at Oswego.
Emotional Rescue: hearing Mike sing the high part of this song is legendary. It is very rarely played, but always always welcome. Best Version I know of: Vegas 2000 because it was the encore to the best show I ever saw. Hampton opener in '97 I think is a close second.
A Day in the Life: one of the best songs ever. There really is not much more to say. Plus, it is such a great set closer cause they just let that last note keep going just like on Sgt. Peppers. Best Version I know of: Live in Vegas...again, only time I ever heard it and again, best show I ever saw.
Bold as Love: another brilliant Jimi tune that allows Page to show off his beautiful voice. Great encore. Best Version I know of: that Raleigh 2000 summer show I went to.
Highway to Hell: guaranteed to rock. Again not sure if they played it post hiatus, but it used to be pretty regular. I hope it becomes so again. Best Version I know of: not sure...suggestions?
Been Caught Stealing: another one guaranteed to bring the house down. I really hope they bring this one back. Best Version I know of: 12/28/98 encore is the only one that comes to mind.
Freebird: man it is so cool when they do this. Another one I would just love to hear live. Best Version I know of: 12/29/98 encore.
The Once in a Lifetime Division (One Timers-with the only exceptions being songs that were played at a Halloween show and then only one more time ever)...I will only list songs in this section because there are way too many to even list here so I am just going to mention the top ones that come to mind immediately:
Psycho Killer
Sweet Jane
Tuesday's Gone
After Midnight
We're Not Gonna Take It
Smells Like Teen Spirit
You know what...there are way too many to get into all the one timers...let me know in the comments section if any others really stand out to you loyal readers. Anyway, I know I missed some solid covers, but this was the best I could do off the top of my head. Feel free to post thoughts and reactions in the comments section cause I would love to see what all of you out there in the blogosphere think. I hope you enjoyed the reading and keep sharing in the groove. Read more
A Study in Reba
This morning, I typed "Phish Reba" into my iTunes and selected a classic - 12/31/95. This is my favorite Reba ever because, to me, it embodies everything that a Reba should and could be. The composed section is played without flaw. Towards the dark part, Page really takes ownership of the crescendo, with Trey stepping back, waiting in the wings. Then, right on cue, Trey comes screaming back in, as both of them dance around the scales in perfect unison. While the composed portion is top notch, the true beauty comes with the jam. Trey begins with a soft riff, which Mike quickly picks up and mimics. And then Trey begins his long, epically triumphant ascent towards the jam's peak. The word that first came to mind was "precise" - a true craftsman, choosing each note with the utmost thought and care. Everyone knows Trey can shred, but his deliberate and delicate playing truly portray this song as it was meant to be - as an emotionally cathartic masterpiece of musicianship. The rest of the band is just as emotional - I can just picture them, eyes closed, playing one of the most beautiful pieces of music ever. Page still pounding down on his keys, Fishman with his perfect fills and Mike keeping it all together. And then, the peak - Trey the shredder returns, but it's not fast and furious. He soars - and the rest of the band glides along with him. I have no idea how he even thinks these riffs up, no less plays them with such passion. Trey finds his ultimate peak, and then, just at its most emotional moment - the slam of Fishman's drum: "Bah!" The song ends without the vocal reprise at the end - no need to add anything else to this masterpiece.
The next track was another Reba: 10/1/89, the first Reba ever. I just had to listen. The first thing that struck me - after hearing them start the song with the composed jam instead of the verse - was that the song had a different tempo - much more on the beat than it is currently played. When the verse comes in, Fishman is much more straightforward, and Trey plays the chords on the downbeat. The band also seems to have a real affinity for the line "bag it, tag it, sell it to the butcher in the store," laughing while they sing it over and over. Then the band breaks it down - the "bag it, tag it jam," if you will. Funky rock and roll right here, folks. Then right into another part of the composed section. Then, the first ever Reba jam, with Mike repeatedly singing "bag it" in falsetto. Trey finds a cool little lick to play and settles in, playing around with its notes, the last one soaring - "bah-dah-beeeeeeeeeoooooo." Overall, the band plays well, but has trouble finding the emotion that made 12/31/95 so incredible. It's understandable - this was their first time playing the song live. But still, it's Reba - and it's easy to see the spark of something remarkable here. Then, the band finishes with a YEM-style "bag it, tag it" vocal jam, a nice way to end the song. After, Trey announces to the crowd, "That, by the way, with a little fine tuning is a new song that you were the first people ever to hear."
"A little fine tuning" - the difference between the first and the best Rebas ever.
Downloads: Reba, 10/1/89 and 12/31/95 Read more
The next track was another Reba: 10/1/89, the first Reba ever. I just had to listen. The first thing that struck me - after hearing them start the song with the composed jam instead of the verse - was that the song had a different tempo - much more on the beat than it is currently played. When the verse comes in, Fishman is much more straightforward, and Trey plays the chords on the downbeat. The band also seems to have a real affinity for the line "bag it, tag it, sell it to the butcher in the store," laughing while they sing it over and over. Then the band breaks it down - the "bag it, tag it jam," if you will. Funky rock and roll right here, folks. Then right into another part of the composed section. Then, the first ever Reba jam, with Mike repeatedly singing "bag it" in falsetto. Trey finds a cool little lick to play and settles in, playing around with its notes, the last one soaring - "bah-dah-beeeeeeeeeoooooo." Overall, the band plays well, but has trouble finding the emotion that made 12/31/95 so incredible. It's understandable - this was their first time playing the song live. But still, it's Reba - and it's easy to see the spark of something remarkable here. Then, the band finishes with a YEM-style "bag it, tag it" vocal jam, a nice way to end the song. After, Trey announces to the crowd, "That, by the way, with a little fine tuning is a new song that you were the first people ever to hear."
"A little fine tuning" - the difference between the first and the best Rebas ever.
Downloads: Reba, 10/1/89 and 12/31/95 Read more
Languedoc Parts Like Red Sea
Speaking of soundboards, Paul Languedoc has parted from Phish like the Red Sea. His presence will surely be missed, but his guitars will live on -- Trey will continue to play Paul's custom axe. It appears that Phish has said goodbye to myriad OG crew members, including Pete Carini. This time around, you can run up onstage, just don't let Scotty get you. Still, please refrain from attacking the drummer. If this year has taught us one thing, it's that change is good. Let's embrace it. What's always baffling to me, though, is how this band can be such an institution that even casual fans are familiar with names like Paul Languedoc, Pete Carini, Brad Sands and Chris Kuroda. The band has made these guys public figures, and in our recognition of their work, the band has made us all part of the extended family. In spite of rumors that have circulated in recent months, all signs point to Chris Kuroda remaining on board (no pun intended) to run lights inside the Mothership and beyond.
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Welcome
Welcome to Weekablog. This site was started by two sets of brothers: Jake and Steve & Peter and James ("Big Schwepp"). We hope to turn these families into a phamily by doing what we do best right here - discussing every facet of the band and music that we love. From the peaks of Went Gins to the valleys of Nassau Pipers to the depths of the Hampton '09 Tweezer, we'll cover it all. So you know from the get go, we're all guys in our 20s who started seeing shows in '97, so our inherent perspectives tend to fall in the later eras of Phishtory.
As Hampton nears, it's difficult to think or talk about much else. We'd love to bring you into the conversation. Someone once said that Phish fans travel hours, days and weeks for moments. We'd also like to bring those moments to you. The impending shows are inducing tremendous anticipation, as well as reflection about the band's history. How did I get here? There will be discussion about all sorts of music as well, even in tongue-in-cheek fashion. As the days go by, please know that our intent is all for your delight.
In an effort to pull the tongue somewhat out of the cheek, and to bring it back to the infamous year in which we started seeing these guys, please enjoy this recently leaked soundboard track. More on Cities, Halloween '96, Yamar and Roses Are Free to come from James shortly.
Sharing in the groove,
The Weekablog Staff Read more
As Hampton nears, it's difficult to think or talk about much else. We'd love to bring you into the conversation. Someone once said that Phish fans travel hours, days and weeks for moments. We'd also like to bring those moments to you. The impending shows are inducing tremendous anticipation, as well as reflection about the band's history. How did I get here? There will be discussion about all sorts of music as well, even in tongue-in-cheek fashion. As the days go by, please know that our intent is all for your delight.
In an effort to pull the tongue somewhat out of the cheek, and to bring it back to the infamous year in which we started seeing these guys, please enjoy this recently leaked soundboard track. More on Cities, Halloween '96, Yamar and Roses Are Free to come from James shortly.
Sharing in the groove,
The Weekablog Staff Read more
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